Reviews
Newhouse Press Service Feature on Eric Nuzum and Parental Advisory
(April 3, 2001)
Copyright 2001 Newhouse News Service All Rights Reserved
Newhouse News Service
April 3, 2001 Tuesday
SECTION: LIFESTYLE
LENGTH: 773 words
HEADLINE: Don't Blame Teen Behavior on Songs, Says Censorship Critic
BYLINE: By CLINT O'CONNOR; Clint O'Connor is a reporter for The Plain
Dealer of Cleveland. He can be reached at coconnor(at)plaind.com
BODY:
The loud, continuous loop of anti-music commentary from politicians
and various special-interest groups suggests that certain songs make
teen-agers want to kill people, or themselves. Eric Nuzum believes such
diatribes are classic self-serving bunk.
"It's grandstanding, I think it's very distracting," says
Nuzum. "If someone says that Marilyn Manson causes people to commit
suicide, I say 'Prove it! How do you know that?'"
Nuzum, of Kent, Ohio, is the author of the new book "Parental
Advisory: Music Censorship in America" (HarperPerennial, $15 paperback).
Nuzum is as horrified by school killings as anyone, but says that blaming
music is always a bad idea.
"The real problem is, after a Columbine, politicians should come
out and say this is terrible, but it is out of our control. But that's
political suicide. So they blame Marilyn Manson."
As for the latest bad, bad boy of music, Eminem, Nuzum says, "he
represents something that happens periodically. He becomes an icon, a
way to get media attention. You start to get all the shouldn'ts: He shouldn't
be able to perform, he shouldn't get an award. Those are terrible ideas.
It buys into the logic that somehow music is bad for you."
Obviously Nuzum, 34, is for free speech. The book, despite its saucy
subject matter, is a rather dry, well-researched overview of censorship.
Nuzum's full-time job is as program director of the National Public
Radio affiliate at Kent State University. There, he does not push the
envelope for obscene lyrics and controversial rappers. The station plays
the relatively tame strains of Bach and Mozart. Nuzum, who writes free-lance
articles for the Free Times and other publications, also contributes
occasional commentaries to "Marketplace" on NPR.
Although his book alludes to several historic incidents, its primary
focus is the rock era, especially the past two decades, ever since the
Parents Music PAGE 2 Newhouse News Service April 3, 2001 Tuesday
Resource Center started demanding parental advisory warning labels on
albums.
The center was founded in 1984 by Tipper Gore and eight others, after
Gore objected to references to masturbation in Prince's "Darling
Nikki," from the "Purple Rain" soundtrack.
"Boy, was I lit up about that," says Nuzum. "I couldn't
believe that someone accused something I loved so much of being so wrong,
so corrupted. I thought, 'This isn't right. This isn't a negative influence.'"
The problem was, he didn't really have anywhere to go with all those
fired-up feelings. Until now.
Nuzum says he has always been a passionate music fan. In his younger
years he was into punk and new wave, and bounced in and out of a few
bands. He went to Kent State, dropped out, then returned in the mid-1990s
to finish his degree. As a project for a class called Speech in a Free
Society, he developed a Web page, "A Brief History of Banned Music" (now
found at www.ericnuzum.com). He figured his mother and few friends might
click by, and that would be the end of it.
But the site was featured on Netscape's "What's Cool on the Net," and
suddenly he was getting hundreds of e-mails a day. One was from an editor
at William Morrow (since acquired by HarperCollins) who suggested turning
his findings into a book.
In "Parental Advisory" he notes that there is nothing new
about reactionary censorship, it just comes with different names and
faces. Nuzum suggests that it is also another form of racial discrimination.
He argues that there is little difference between the sentiments of
Eric Clapton's 1974 hit "I Shot the Sheriff," a cover of the
Bob Marley song, and "Cop Killer," rapper Ice-T's controversial
1992 song first recorded by his band Body Count. Except that Clapton
is white and Ice-T is black. "Racial discrimination is so ingrained
in music," Nuzum writes, "that it is sometimes difficult to
separate the two." He makes a good point. But it should also be
noted that "Cop Killer" includes liberal use of the F-word,
with a few M-F-words, which contributed to its nefarious status.
Nuzum concedes that the battle over alleged "evil" songs
would be waged more effectively if those with the biggest microphones
came forward more often. "This would be much less of a problem if
artists stood up for themselves," he says. "You're selling
2 million records and somebody's putting up a stink at a Wal-Mart who
cares?"
As for protecting kids from questionable CDs, Nuzum believes that responsibility
lies with parents, not government agencies. He stresses that kids, teens
and young adults have a lot more to worry about anyway.
"Of all the ways to screw up your life," he says, "music
is a relatively minor one."
|